World Building in the Once Upon A Princess Novellas

I host book tours on my other blogs and when I get a guest post that impresses me, I like to repost it here. Recently I featured author Deborah A. Bailey who has this beautiful website. (Full disclosure, she has hosted one of my books there.)

Anyway, when I featured her I asked her about how much vocabulary she created for her fantasy worlds in her Once Upon A Princess Trio. I got back fascinating information about what guided the creation of her entire worlds. Enjoy her answer.

For my worldbuilding, I considered creating words for the worlds I was writing about. But as it turned out I only ended up creating one word, “Malida.” The reason I created it was because I wanted to use it during a conversation between the hero and heroine in Heart of Stone. Willem, the hero, uses that word to refer to the heroine’s grandmother. The grandmother is a former queen of the province where the story is set. In the aftermath of a war, the heroine, Leesa, and her grandmother are (as far as they know) the only remaining members of the royal family.

When Willem asks Leesa about her grandmother he calls her Malida, which is also a term of endearment. It means “great mother.” For Willem to know that name, he would have to have known more about the family than he’s admitting.

Though I didn’t focus on creating the words and language for those worlds, Since they’re based on fairy tales, I made sure to include certain elements. For instance, I included princesses,  magic, and fantasy creatures. In Heart of Stone Willem is a gargoyle who is under a magical curse. He lives in a deserted palace and he has access to enchantments that were left there by the former inhabitant.

In Beauty and the Faun, the heroine ends up escaping into the Great Forest and it becomes a refuge. Forests are often used fairy tales as places filled with magic and mystery. Satyrs, forest nymphs, centaurs and fauns are among the inhabitants of the Great Forest. Each group has their own culture and behavior that they’re known for. The heroine finds these creatures when she enters the forest, and they show that this is an entirely different world than the one outside.

In Land of Dreams the Great Forest is also included, along with fauns and water nymphs. I added additional magical characters, such as elementals, shifters, and river deities. There’s also a character called the Night Queen who presides over the elementals. While I would’ve loved to have created other words (and languages) for the stories, I made sure to include many fantasy elements and fairy tale touches to set the mood.

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Exclusive Excerpt from “The Salty Rose”

I host blog tours and every once in a while I get an exclusive excerpt. If it’s from a book I that impresses me, I like to share those excerpts here. Recently I got one from a historical fiction/fantasy novel that appears to involve more than romance. I’m intrigued. It’s called The Salty Rose.

This is how author Beth M. Caruso describes her book.

Author’s description

Marie du Trieux, a tavern keeper with a salty tongue and a heart of gold, struggles as she navigates love and loss, Native wars, and possible banishment by authorities in the unruly trading port of New Amsterdam, an outpost of the Dutch West India Company.

In New England, John Tinker, merchant and assistant to a renowned alchemist and eventual leader of Connecticut Colony, must come to terms with a family tragedy of dark proportions, all the while supporting his mentor’s secret quest to find the Northwest Passage, a desired trading route purported to mystically unite the East with the West.

As the lives of Marie and John become intertwined through friendship and trade, a search for justice of a Dutch woman accused of witchcraft in Hartford puts them on a collision course affecting not only their own destinies but also the fate of colonial America.

An Exclusive Excerpt for Us!

Chapter 7.

“Hello, Marie. Listen to Grandmamma so she can get a better look at you,” Sara said.

The midwife winked. “Yes, come, Marie. My granddaughter knows what’s best,” she said, smiling.

I guided them to a small room in the back of the tavern. In the exterior wall near the corner was the secret slot where the Indians who wanted a drink after hours placed their deer meat or other trade goods in hopes of a discreet exchange for liquor. My guests couldn’t see it since it was well hidden from the inside by a sliding facade.

“Sit, Marie, I need to see those feet. Are you still sick to your stomach?” she questioned.

I took a seat in a tall-backed wooden chair carved as a marriage present from Henri La Chaîne, a furniture maker and friend.

“No, it’s passed already. I’m fine, just a little tired but no more than with any other child,” I responded.

The midwife carefully placed her hand over my belly. “Do you feel her moving about?” she referred to the baby.

A loud crash emanated from the front of the tavern. The babe in my womb stirred abruptly in response.

“What’s this?” she cried.

We ran to the front, the three of us, to see what was the matter. Business in the tavern had been at a lull when I’d retreated to the back only a few minutes earlier.

On my way to the main room, I heard a man with an English accent screaming at Domingo.

“I won’t take a drink from a filthy rogue like you. Where’s your mistress?” He had just upended a table where Domingo had placed his drink and was ready to turn over some benches in his senseless rage. All my work of cleaning the tavern that morning was ruined in seconds.

Want to read more?

The book is available at:

Amazon: https://www.amazon.com/Salty-Rose-Alchemists-Witches-Amsterdam/dp/1733373802

Barnes & Noble: https://www.barnesandnoble.com/w/the-salty-rose-beth-m-caruso/1133991342

Making Up Words

Every fantasy author has to deal with the dual problems of how much vocabulary to create and how to do it. Recently I got the chance to ask Russell Archey, author of the fantasy novel The Seven Spires, about his approach. He was kind enough to provide this interesting answer.

I didn’t create much vocabulary for the world in The Seven Spires, but I did draw on many sources for naming conventions. Since each kingdom and realm in the book is based on different mythological and fairy tale criteria, I tried to stick with conventions from each respective source.

For example, the Red Kingdom is properly known as Edda. This name comes from the Poetic Edda of Norse mythology. Names like Horodir are meant to invoke such Nordic naming conventions, where others like Vidar are directly related to Norse mythology. One of the most dangerous creatures encountered in the book is the monstrous, worm-like jormungandr who dwell in the Jotun Foothills—both named after creatures from the same mythology. The capital city of Edda? Valgrind, otherwise known as one of the gates of Valhalla!

Some naming conventions are meant to tie characters together, such as the three sorceress sisters who have the ‘æ’ symbol in their names to give them a mystical appeal. Other names and titles were built from various words to create something new. The capital of the Diamond Kingdom, Icostraea, is a combination of “icon” and the Greek goddess of justice and purity, Astraea.

Of course, what fantasy story filled with mythology, fairy tales, and folklore would complete without dragons? I wanted to try something unique with the dragons in this setting. Dragons are rare creatures in Septer (itself named after a word for the number seven and bringing to mind a symbol of authority) and they are named after what I’ve always felt are dragon-type archetypes.

Father Dragon is the progenitor of them all, and as such, each other dragon is referred to as a “dragon-child.” Each dragon-child found a home in a separate realm, making seven total of their kind in the world: Father Dragon, Drake, Naga, Serpent, Wyrm, Hydra, and, of course, Wyvern. Despite their rarity and special, unique natures, not all are still alive at the start of the novel…

As you can see, even though I didn’t create any languages or overly unique vocabulary for the novel, many different languages were used to build the world itself. It’s a great big continent out there!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out The Seven Spires.

So, which child do you like best?

In my own experience, my favorite of my own books is always the one I’m writing now. Having read and enjoyed Olga Werby’s book Harvest (see my review) I was curious how she felt about it in comparison to her latest book Twin Time.  So, I asked her which of these two books of hers was more fun to write.

Yes, I know this is a little bit like asking someone which of their children they like best. “Both” is a good answer. But to author Werby’s credit, she had an interesting and well-thought-out response.

“Harvest” and “Twin Time” couldn’t be more different! One is a sci-fi thriller; the other is a fantastical, historical romance. I’ve spent years researching the science for “Harvest”—the scientific details in that story are all true. But the same is true for “Twin Time”. “Twin Time” is partly based on my grandmother’s childhood. She grew up in post-revolutionary Russia, in a rural village where the political change was slow to arrive. When it finally did, her family had to run in the middle of the night to stay alive. They lived through unspeakable horrors and didn’t survive unscathed. Most died. When and where we are born shapes our lives. When you read “Twin Time”, you will get to experience what it was like to live in another time and place with a different value system and different culture.

I came to America as a refugee; I grew up in Russia and those experiences shaped my life. To write about what it feels like to be there, even if at a different time and place than what I knew, was transformative. I loved doing the research, looking at illustrations and old photographs. It made me remember the fairytales of my youth.

Emotionally, “Twin Time” was more powerful for me, while “Harvest” was more intellectually stimulating. Writing these two books was a very different experience. But I wouldn’t swap my life for the life of my heroines in either of these novels—they had it rough. Spending a few years dreaming the lives of these women is very different from living those lives. I have to say, I’m a girl who likes first-class bathroom accommodations!

About Olga Werby:

Olga Werby, Ed.D., has a Doctorate from U.C. Berkeley with a focus on designing online learning experiences. She has a Master’s degree from U.C. Berkeley in Education of Math, Science, and Technology. She has been creating computer-based projects since 1981 with organizations such as NASA (where she worked on the Pioneer Venus project), Addison-Wesley, and the Princeton Review. Olga has a B.A. degree in Mathematics and Astrophysics from Columbia University. She became an accidental science fiction indie writer about a decade ago, with her first book, “Suddenly Paris,” which was based on then fairly novel idea of virtual universes. Her next story, “The FATOFF Conspiracy,” was a horror story about fat, government bureaucracy, and body image. She writes about characters that rarely get represented in science fiction stories — homeless kids, refugees, handicapped, autistic individuals — the social underdogs of our world.

Her stories are based in real science, which is admittedly stretched to the very limit of possible. She has published almost a dozen fiction books to date and has won many awards for her writings. Her short fiction has been featured in several issues of “Alien Dimensions Magazine,” “600 second saga,” “Graveyard Girls,” “Kyanite Press’ Fables and Fairy Tales,” “The Carmen Online Theater Group’s Chronicles of Terror,” with many more stories freely available on her blog, Interfaces.com.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Twin Time.

How Happy is Happy Enough?

So, I’m personally struggling with the question of how happy a happily-ever-after ending has to be to satisfy readers. I suppose my even asking the question makes it clear I think there is some wiggle room, or there ought to be.

I recently featured Doorway to Scorn, a fantasy novel by Dimitrius Jones, on one of my other blogs. I was delighted to get the chance to ask this author what he thought about the infamous HEA ending. I really liked his response.

As someone who’s read his fair share of romance novels, I get it. We love to ship people and see those ships weather a storyline’s challenges and persevere. We want to be rewarded for instilling hope into our favorite pairing with an ending that is adorably predictable.

We escape into these stories because we’re not sure if true love actually exists sometimes. It’s hard to reconcile a belief in soulmates when we can log onto social media and watch a divorce happen in real time at almost any moment. That’s why it’s so tantalizing to find a romance novel that will soothe our concerns with the promise of a happy ending for the featured couple, even if there’s much ground to cover beforehand.

I’m just not here for it, personally. I feel like it’s overdone.

I won’t go so far as to say I prefer depressing, tragic endings and think they should completely replace happy endings. However, I can appreciate a bittersweet ending where not every character gets the exact resolution we think they should. Real life doesn’t work either way. You don’t always get the ending to a relationship that you deserve, but that doesn’t mean you can’t make a beautiful story out of it. It doesn’t mean there isn’t art to be found in a non-happy ending.

I think we could benefit from reading about relationship stories that we can better relate to versus stories where we idealize the couple. Some may say it’s boring, but I think it’s a challenge. As a writer, I’m always seeking new ways to express real life in a fictitious setting. What better way to expand my creative bandwidth than challenging myself to craft a great story without relying on tropes?

I’m not saying there shouldn’t be any more happy endings. I just believe we shouldn’t fear realistic ones that don’t always make us feel fuzzy inside. It’s okay. There’s still a story there.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Doorway to Scorn.

Characters, Characters, Characters

Characters, Characters, Characters

In The Secret Spice Cafe Trilogy, Patricia Davis has woven a complex tale, spanning generations. I asked her what techniques she used to make sure her readers didn’t get lost in her large cast of characters. Here’s what she said.

To keep a reader turning pages in novels such as these, they have to be invested in the characters as much as they are in the story. With a large cast of characters, it’s always a challenge to make their voices distinguishable from one another.  In the case of Angela, Cynthia, Jane, Rohini, Sarita, and Cristiano, who are the main players in an even larger cast of characters, I had to consider the region of the world from which they each came, their ages, their sex, and even their life experiences.

How does that translate to the page? It’s simple enough to give a character description, a synopsis of all of the above for each. Simple, but boring.  I could have written, “Angela was a forty-five-year-old Italian-American from the east coast of the USA,” or I could show that by her actions, her thoughts and perceptions, her manner of speaking.  Each character was given “tells”—phrases they use routinely, motions they make, habits they have.

A reader could go through each novel with a highlighter if they wished, and find these things. Sharp eyes would notice that Rohini rarely, if ever, uses contractions when she speaks, for the reason that her English is careful and precise, as it’s her second language, and she learned how to speak it in her native India.  Cristiano, from Spain, will often sound more like he comes from Mexico. He explains that in the storyline. Sarita nibbles on her thumbnail when she gets nervous, Cynthia moves her hands way more than most, Jane sometimes uses expressions from her native northern England, such as “you lot” to mean, “you people,”  that a number of American readers unfamiliar with the lingo might think is a typo.

I got lucky—so lucky—on the audiobook narrator, Ann Marie Gideon. She loved the idea of all the accents, regions and ages so much, that she spent a lot of time with me, asking questions about each character. And she really nailed them. Her audiobook narration is the best I’ve heard.

Bottom line, writers worth their title research meticulously each character’s background, socio-economic level, life experiences, and take all of that into consideration when writing dialogue, and action.  I’m lucky to have met many people from many different parts of the world. That made it easier for me. I enjoyed writing them, as much as I enjoy hearing a reader say how ‘real’ the characters seemed to them.

They are real, as real as my imagination and pen could make them.

I thank Patricia Davis for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out The Secret Spice Cafe Trilogy.

It’s Really Happening

Writing a book is a really long process.

Even for self-published authors like me, the path from best-idea-I-ever-had (they all are) through getting-the-first-draft-finally-done (they all suck) is no small thing. Then come the rewrites, then the critiques from whatever support system you pay for or coerce, then the next set of rewrites, and the cover design, and the final edit and proofread, and the formatting, and there is nothing quick or easy about getting a novel out there.

I continue to be amazed by how many people do it. I continue to be amazed that I somehow manage it. And yet, I’m about to do it again.

The great idea struck in May 2019. I was at a local spa, enjoying a mother’s day present called “the works” or something like that. I was bored while people massaged things into me.

Now, my seventh novel, and the first in my new series, will be out on kindle November 13, and in paperback and through other retailers shortly after.

I’m excited. I’ve moved on from writing about superpowers in my own world to creating an alternate history. For a year and a half, I’ve been living and breathing the 1200’s on another timeline, one in which seven young women work together to save their homeland. My days have been filled with magic and bravery, and with treachery and a little romance. It has definitely helped get me through Covid-19.

To celebrate having got this far (and to maybe sell a few pre-orders), twenty-four different excerpts from the first book will be featured on twenty-four different blogs over the next four weeks. So, from August 31 through September 25, you’ll find parts of my new novel on a variety of blogs.

I’d love to have you check it out. You can enter to win a $25 gift card while you’re at it, and also take a look at other people’s interesting novels. Despite how long it takes to make a book happen, there’s a lot of good stuff out there.

Those excerpts can be found at:

August 31: Rogue’s Angels
August 31: Welcome to My World of Dreams
September 1: All the Ups and Downs
September 2: Fabulous and Brunette
September 3: The Avid Reader
September 4: Kit ‘N Kabookle
September 4: Author Deborah A Bailey
September 7: Archaeolibrarian – I Dig Good Books!
September 8: Andi’s Book Reviews
September 9: Two Ends of the Pen
September 10: Our Town Book Reviews
September 11: Joanne Guidoccio
September 14: Danita Minnis
September 14: Readeropolis
September 15: Iron Canuck Reviews & More
September 16: Novels Alive
September 17: T’s stuff
September 18: Stormy Nights Reviewing & Bloggin’
September 18: Dawn’s Reading Nook
September 21: It’s Raining Books
September 22: Locks, Hooks and Books
September 23: Sybrina’s Book Blog
September 24: Gimme The Scoop Reviews
September 25: Viviana MacKade

Thanks for looking into it.

 

How much backstory should one provide?

Everyone loves a series, right? And … everyone wants to be able to read each book as if it were a stand-alone novel. True?

I struggled (a lot!) with this quandary in my 46. Ascending series, so when I got the chance to ask author R.W Buxton (who writes an urban fantasy/paranormal romance series) any question, I went right for his solution to this dilemma.

Here is his fascinating answer.

I read a lot of series. It seems that it’s the most popular format for authors to write these days. Honestly, when I started writing Capital Thirst, the first book, it wasn’t my intention of writing a series myself. But there was more story than I wanted to stuff into a single book so I did it, I started a series.

Backstory is always an issue, whether it’s the second or third book of a series or the first book. The trick is to get it in so the reader knows what’s going on, without boring them to death. I hope I could achieve that. I am reading the second book in a series by another author. I loved the first one, but in the second book the author will take paragraphs in the middle of action to cover the backstory from the first book. I tried not to do this. As a reader of the first book, I find I just skip this stuff and even if I hadn’t read the first book, I don’t need to know the details of what happened just that something did and it has an impact now.

When I wrote Beverly Hills Torture, I knew new readers wouldn’t know what happened in Capital Thirst but there are just key parts they needed to know. So if you read Beverly Hills Torture without reading Capital Thirst I tried to only include the key points that you need to know without retelling what happened in the first book.  This also means a lot of what was in Capital Thirst isn’t revealed. But I hope just enough for the reader to know why things are happening in Beverly Hills Torture.

Most of the backstory I tried to include in dialog or quick thoughts that Erin or Gerry have. There is a bit of explanation in the first chapter, but when you jump in right in the middle there has to be a brief explanation because the new reader knows nothing about the characters.

Writing a series is a progressive thing to undertake. In the first book, all you need to worry about is the backstory of the characters. In the second book, you have to worry about the character backstory and reintroducing it for new readers as well as including key elements of what happened in the first book. The third and fourth books are even more difficult to pick the details because there are a lot more of them and keeping them straight becomes more and more complicated. Not to mention deciding which ones are important and which aren’t.

It’s a balancing act, I hope I have enough, but if I erred, I would prefer to err on the side of not enough. If it’s not there, readers can make their own decisions or assumptions. If they’re curious, they can go back and read the first book. But I would rather do that than spend paragraphs writing about what happened that will bore readers that have read it and may or may not add something for the readers that have.

The facts about how Gerry became a “day walker,” and his relationship with Erin are all there. The rest, if I really felt it was important, is there.

I thank R.W Buxton for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Beverly Hills Torture.

 

 

 

Free on Kindle today

Maybe you can walk through walls. Maybe you can fly. Maybe you’re crazy instead.

Find out.

Layers of Light is free on Kindle today (Thursday Oct. 10) through Monday (Oct 14.)

It’s time to promote this story and shine a little light on it.

 

 

What makes it a romance novel?

So. Let’s be blunt. I think sex is wonderful. I agree love is the greatest thing in the universe. I like it when people live happily ever after, or at least I’m allowed to think they will. However, romantic love (in all its trials and tribulations) doesn’t carry a plot for me.

I like action, intrigue, and surprises. I enjoy puzzles, and profound thoughts. So why do I end up reading so many romance novels and then complaining about it in the reviews?

Read more about my frustration with romance writers at What makes it a romance novel?

Learning to Juggle

Honestly, this is all too much to hold in my head at once. I keep checking my spreadsheet thinking I’m forgetting some essential component somewhere. There’s got to be something I’m forgetting.

Read more about being in various stages of revising five different books at once at Learning to Juggle.

Have Courage

I’m trying to show more courage in my own life, and for me right now that translates into being more honest about who I am. My deep dark secret? I write science fiction ….

Read more at Have Courage

Day 19. A Border Crossing

My noon-time good-byes are rushed and sweaty, perhaps not a fitting climax to this amazing experience, but then again, exactly what about this experience has been fitting?

I am leaving a day before the man burns but even then, the five mile an hour drive out is slow and long. Along the way, I distract myself by cherishing my favorite moments…

How about that nearly assembled 747 blaring out Santana’s Black Magic Woman as I rode up to it at sunset? For that matter, the mix of music of all types coming at me 24/7 was surprisingly entertaining and even soothing. The soothing part is hard to explain, but ear plugs and an eye pillow remain two of the things I didn’t need to bother to bring. Burning man lulled me into a sound sleep each night, and woke me each morning…

 

I know there is so much I didn’t see, and I suppose that is part of the charm. I think this place works best if you leave deciding you found the things you were supposed to, and what you missed, well, it was meant for others, or maybe for you another time. Some of the art and camps do come back year after year…

 

I realize I’ve had a crazy week, but I wasn’t in a crazy place, just a different one; one in which I got to experience joy and sorrow and wonder, sometimes all at once.

Read more, see more photos, and hear the song of the day at Day 19. A Border Crossing

Day 14: Magical ride

This day is as dusty as yesterday, with short bursts of almost no visibility. I’m determined to survive in this and I fill the day with getting settled in to my camp and doing a little preliminary exploration. The beach bike I have brought to the playa is perfect, its fat tires riding smooth and sturdy over the desert.

As twilight comes, the winds stop, and the world takes on a carnival glow. Color is everywhere, blinking and twinkling in the most unexpected of shapes. My camp mates invite me out for a bike ride on the deep playa, that place away from the campers where art cars roam and art installations glitter, waiting to be admired.

Read more at Day 14: Magical ride

Our Own Kind of Porn

My average rating for women’s books is over a point lower than for those written by men (3 stars versus 4.25 out of five.) What is going on ? I’m a feminist! I’m a huge fan of women authors and a strong supporter of women anything! Am I secretly sexist? I took a closer look at the books.

 

 

 

 

 

 

Read the full post at Our Own Kind of Porn.

 

Review: REALM OF THE DRAGON by Cici Cordelia

I chose this book because I enjoy fantasy, and shape-shifting dragons sounded like way too much fun to miss. It turned out to be more of a romance novel in a fantasy setting. However, it is a fun read (and the shape-shifting dragons were as good as I hoped.) Read my full review.

If you would like a review on my y1 blog:

I am interested reading speculative fiction of all sorts, including science fiction and fantasy. My protagonist in y1 is shape-shifting gay male, so I am predisposed to review stories featuring LGBT heroes (or others who find joy in life by being true to who they are in spite of obstacles) or stories featuring interesting shape shifters.

I am not interested in reviewing non-fiction, pure romance novels, stories which promote any particular religion, children’s books, or horror of any type. Please do not ask me to review BDSM erotica or books about vampires or zombies.

If you would like to be considered for a review contact me at Zane (dot) Zeitman (at) gmail (dot) com.

Designing your own book cover, part 4

I knew I didn’t want the image of Teddie, my hero, to be a photo. This was a book about out of body experiences, and a clear likeness seemed too stark. I wanted something vague, more like a sketch. She had to be young, dark-haired, and there had to be green involved.  I didn’t expect a lot of results when I combined all these search parameters, and I didn’t get them. However, the one image I got had potential.

Read more at Designing your own book cover, part 4.

(For more on this topic see Designing your own book cover, part 1, part 2 and part 3.)

And that’s the way it was, June 15, 1984

I would be an excellent liar. Not of the small, occasional-lie type, but of the grand, that-story-is-so-amazing-she-couldn’t-possibly-have-made-it-up type. After all, intricate plots and multi-faceted characters are my strength as a writer, and if you wanted to turn a small country’s propaganda machine over to me, I know I could do you proud.

That is why I almost never lie. Falsehoods scare me. And, in the way of those who abhor people who flaunt the very faults they work so hard to control, I hate liars. I am particularity outraged by grandiose, habitual liars who create a make-believe world and foist it on others as truth. How dare they?

Read more at And that’s the way it was, June 15, 1984.

(For more segments about June days from long ago, see That’s the Way It Was June 10, 1947, June 18, 1972, June 28, 1888, and June 30, 1940.)

Cease worrying when you can, and write about what you know.

What I am is a worrier, among other things, and I know in my heart that it is tied to my story-telling abilities. If you want a mind that makes up exciting scenarios from everyday events, well then, you get a mind that sees exploding cars, intricate scams and paranoid plots around every corner.

Read more at Cease worrying when you can and write about what you know.

(Images shown are from the various victory images used at the World of Solitaire# website. They add an extra bit of fun to the game.)

(For a companion piece to this post, see Worry about those you love and write about what you know.)

The Amazing Things I Get to Do

I jumped out of a helicopter today without a parachute. I used my ability to see the future to save my mother’s life, I stared down two villains at gunpoint, I orchestrated a corporate take-over and I played with penguins. It was a great afternoon.

Read more at The Amazing Things I Get to Do.

(For more short excerpts from my upcoming novel, also see Worry about those you love and write about what you know, Point of View, Am I sure I’m Sherrie?, and Cease worrying when you can and write about what you know.)

Point of View

But because the stories I tell myself are never told from a single point of view for very long, how could the stories I tell others ever be? One of my greatest fascinations with a tale is how differently the events appear to various characters. So if you read something I write, be prepared to hear the plot unfold through several sets of eyes.

Read the entire post at Point of View.

(For more excerpts from my new novel visit Am I sure I’m Sherrie?, Worry about those you love and write about what you know, Cease worrying when you can and write about what you know, and The Amazing Things I Get to Do.)

Worry about those you love and write about what you know

I’m not telepathic, but sometimes I pretend that I am.

For me, it’s more than an entertaining daydream. The main hero of the novel I am finishing is a telepath, and the more I see the world through her eyes, the better I can tell her story.

Some days, I’m ready to improve the world with my psychic skills. If I could just know what my congressman’s aide was really thinking, could I convince him to recommend supporting this legislation to his boss? And then it might pass in the House by one vote? And then, and then, the course of the entire world might change?

Other days, I sink into banal curiosity. Hmmm. That man looks interesting. I wonder what he’s thinking…

Read the rest of this post at Worry about those you love and write about what you know

c3: Out of Body Experiences

No, it was an out of body experience that I was after. In an OBE, as they are affectionately called, the traveler visits a plane that exactly mirrors our physical world. They are unable to interact with the solids around them, but under the right circumstances they can return with accurate knowledge of distant objects and events.

I discovered that there are quite a few books out there that claim to be able to train you to have an out of body experience, and the internet is full of people happy to describe their own adventures doing the same. I had run into something similar while writing x0 and researching telepathy. Once again, I asked myself — do I believe any of this?

Read the full post at Out of Body Experiences.

y1: Shape Shifting Without Magic

Certain things of course could not be altered. Clothes, obviously. So Zane often carried a second shirt in his backpack in case he wanted to disappear. Hair of any kind was a problem, made up as it was of dead cells with no ability to respond. So Zane kept his medium brown misbehaved mop cut short and wore hats a lot. Sometimes he took alternate headgear with him as well.

His size could be altered a little, but not as much as he would have liked. Zane guessed maybe plus or minus ten percent. He’d learned to modify his shape mildly. For instance he could make his chin recede more or his shoulders appear broader. But he couldn’t make himself have a third arm coming out of his back. At best, he’d managed to produce a short lump that looked like a tumor between his shoulder blades. He kept working on it on though.

Read the entire post at Shape Shifting Without Magic.